Characterisation in “The Wives’ Revolt”
There are basically three characters in John Pepper Clark’s The Wives’ Revolt. They are Okoro, Koko, and Idama.
African Drama
Plot Summary of Femi Osofisan’s “Women of Owu”
Women of Owu is a play written by Femi Osofisan to emphasize the plight of Owu women in the aftermath of the destruction of Owu Kingdom.
Components of Traditional African Theatre
Components of traditional African theatre include riddles, jokes, proverbs, dances, myths, beliefs, and the audience.
Q & A: Examine the conflict in Wole Soyinka’s “The Lion and the Jewel”
The technique by which Soyinka creates the force at friction in The Lion and the Jewel makes for a spectacle of the characters that exemplify the antipodal qualities of heroism by way of reason and tact.
Multiple Choice Questions and Answers on “The Gods are not to Blame”
(9) Odewale shifts the blame for his tragedy from the gods to himself and claims that his tragedy is a result of his own weakness.
Multiple Choice Questions on “The Lion and the Jewel”
The immediate consequence of the publication of Sidi’s picture is to make her (b) feel more important than Baroka
Themes in “The Marriage of Anansewa”
The Marriage of Anansewa is dominated by the themes of poverty and ambition, wit and cunning, love and materialism, matchmaking, and African marital tradition.
Dramatic Techniques in “The Marriage of Anansewa”
Efua T. Sutherland employs the use of story-telling technique, spider’s web, music, dance, and audience participation in The Marriage of Anansewa.
Plot Summary of Efua T. Sutherland’s “The Marriage of Anansewa”
So, we have a situation where there are four suitors and one bride, but each suitor believes that he is the only one who may be the bride’s husband.
Q & A: Discuss “Let Me Die Alone” as a tragedy
Let Me Die Alone is a tragic play. It is concerned with betrayals, humiliations, murders, human sacrifices, suicide, and desperate quest for power.
Q & A: Discuss the role of the gods in the life of Odewale in Ola Rotimi’s “The Gods are not to Blame”
At birth, the gods set a bad destiny for Odewale, one that implies that he will marry his mother when he kills his father.
Q & A: What is the significance of Alaka and Gbonka to the plot development of “The Gods are not to Blame”?
Gbonka and Alaka are two significant characters in Ola Rotimi’s The Gods are not to Blame who contribute immensely to the plot development of the play.
Q & A: Discuss the appropriateness of the title “The Gods are not to Blame”
The title beggars the question: if the gods are not to blame, then who is to blame?
Characterisation in Efua T. Sutherland’s “The Marriage of Anansewa”
Characters in Efua T. Sutherland’s The Marriage of Anansewa are George Kweku Ananse, Anansewa, Aya, Ekuwa, and Christie.
Characterisation in Femi Osofisan’s “Women of Owu”
The characters in Femi Osofisan’s famous play, Women of Owu, include Erelu, Gesinde, Anlugbua, Lawumi, Orisaye, Okunade, Adumaadan and Iyunloye.
Memorable Quotes from Ola Rotimi’s “Kurunmi”
Kurunmi: An Historical Tragedy (1971) is an historical play about the Ibadan-Ijaiye war, what culminated into the war, the turns it took, and the tragical losses of Kurunmi, a real-life principal actor in the war.
Themes in Femi Osofisan’s “Women of Owu”
Some of the themes in Femi Osofisan’s Women of Owu include war and destruction, puppetry of humans by the gods, vengeance, fate, slavery, distortion of history, deceit, and symbiotic relationship between gods and human beings.
Memorable Quotes from Femi Osofisan’s “Women of Owu”
Women of Owu by Femi Osofisan is a play about the destruction of the ancient Owu Kingdom after seven years of siege by the allied forces of Ife, Ijebu, and the Oyo mercenaries. The city is burnt to rubble, the men and children are killed, the shrines of the gods are desecrated, and the surviving widows are displaced from the ruins of the city into slavery.
Themes in Dele Charley’s “The Blood of a Stranger”
Other themes in The Blood of a Stranger include deceit, abuse of power, gullibility, patriotism, murder, and cultural rigidity.
Characterisation in Dele Charley’s “The Blood of a Stranger”
The characters in Dele Charley’s The Blood of a Stranger are Kindo, Mr Whitehead, Maligu, Soko, King Santigi V, Wara, and Parker. Each of these characters has their significant role in the play.
Plot Summary of Dele Charley’s THE BLOOD OF A STRANGER
The Blood of a Stranger by Dele Charley is a simple, yet symbolic play. Simple because the diction is easy to comprehend. Symbolic because . . .
Q & A: How do men behave towards women in John Kolosa Kargbo’s “Let Me Die Alone”?
In Let Me Die Alone, the system the society is run by is designed for and by men. Senehun is a male-dominated society.
Q & A: Discuss Gbanya as a remarkable character in “Let Me Die Alone”
Gbanya is a remarkable character in John Kolosa Kargbo’s Let Me Die Alone. He is the chief of Senehun Village before the ascension of Yoko to the same throne.
Themes in Ola Rotimi’s “The Gods are not to Blame”
Some of the themes expressed in The Gods are not to Blame include predestination, manipulation, incest, suicide, patricide, anger, good leadership, blindness, the efficacy of royal utterances, women servility, responsibility, and the absence of trust.
Characterisation in Ola Rotimi’s “The Gods are not to Blame”
The characters being focused on are King Adetusa, Queen Ojuola, King Odewale, Aderopo, Ogun Priest, Baba Fakunle, Abero, Alaka, and Gbonka.
Memorable Qoutes from Ola Rotimi’s “The Gods are not to Blame”
“The future is not happy, but to resign oneself to it is to be crippled fast.”
Critical Analysis of Ola Rotimi’s “The Gods are not to Blame”
The play is a brilliant adaptation of Sophocles’ Oedipus Rex, given a Yoruba setting and internalized into its cosmos.
Q & A: Give an account of the ascension of Yoko to chiefdom in Let Me Die Alone
Yoko’s ascension to chiefdom in John Kolosa Kargbo’s Let Me Die Alone is nothing short of drama, intriguing drama that keeps the audience transfixed, imbued with suspense.
Q & A: Comment on Mythology and Dream in Let Me Die Alone
The playwright provides ample examples of myths in the play and the significance of dream in the African world.
Q & A: How does the character of Musa contribute to the plot development of John Kolosa Kargbo’s Let Me Die Alone?
Musa is one of the principal characters in John Kolosa Kargbo’s Let Me Die Alone. He and Lamboi are the antagonists in the play.